![]() ![]() ![]() Claustrophobic projection in the web, canonical phenomenon of deep mourning, uncanny, artificial belonging, misfortune to her life. ![]() But her resistance of her patience through a very long time was, by unexpectedly, broken and finally lead herself towards reality as a real being. ![]() Her identity is shattered and she does not try revive her feelings from the context of female perspectives like that of a Victorian woman. She is caught within the web but she shows her ability and courage to break through the proliferation of the earth, her artificial belonging. "The Lady of Shalott" is the superb identification of Tennyson " s canonical phenomenon of deep mourning. Death is subjected very naturally through the entire work of "The Lady of Shalott" and Tennyson means to do that easily in a very difficult catastrophically way. Tennyson " s Shalott even is not aware what curse is to be befallen on her, but may be able to understand, in her psychological stances, that an uncanny will be fallen on her at the point of time. Tennyson " s "The Lady of Shalott" is highly vivifying the status of a girl-embodies the stylistic approach of the ideal beauty and of deep projection with the subtle vail of ignorance-who, by unknowingly or may knowingly, procreates the imaginary web around her, which is proved to be, at once, the misfortune to her life. The aim and scope of this present paper is to define the notion of female identity in the web of Victorian society. ![]()
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